Perfect Peace Profound

A new chillout production from the man behind 'The Higher Astral' and 'Islander' (2017). Lien labels this track as a D'n'B release, while it's clearly also affiliated with the new age and ambient genres.

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aye Sea

'aye Sea' is Lars L. Lien's 6th studio album.

The title track is a 8 minute long minimalist work and rather contrasting the new school D'n'B stormer 'The Champ' and the engaging and catchy hit 'Interstellar Superstar.' 'Evangelica' is a tribute to the 80ies synthesizer instrumental genre.

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Young Goodman Brown

The album contains the electroclash production 'Bad Karma,' IDM and downtempo in the form of 'Patched Up' and 'Night City' - catchy instrumental works like 'Metropol' and 'Universum' - the monumental 'Avatar' might also reach out to a bigger audience. The title track 'Young Goodman Brown' is a masterpiece, that depicts the essence of Hawthorne's tale in a rather striking manner and part I is classical music again from Lien.

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What the Future Holds

This release consist of the brand new dub track, 'Dystopia,' and the glam production, 'Mr. Mystifier.' 'Sunburst' was made in the year 2000 and to celebrate mankind entering the new millennium.

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Another Heart

'Another Heart' is the most accessible of all of Lars L. Lien's albums. 'The Stance,' the electro house track 'When I See You Dancin', and 'Spiritual Guidance' should appeal to the younger generations.

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Acid Trip (at the Jazz Club)

Lars L. Lien

A work of fine art music yet again from Lien, while different from 'The Other Side' (2015).

'High Definition' is a minimalist jazz piece that sets the stage; and 'No 1 of the Five' is, as the title suggests, inspired by Russian folk music. 'Conscience,' performed on pipe organ, is an instrumental 'koral' of a very high standard inspired by the concluding part of J.S. Bach's BWV 565.

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The Fallen

Lars L. Lien

'The Fallen' is a grandeur 4 part classical work from Lien following 'Good and Evil' from 2017, where he claims to have left behind his former political standpoint, in part, for an even more profound existential and religious orientation.

Part I and part III are post-modern, while Lien denies the term as valid for the work as such; it is to be considered a work of the modern era. Part II is music for the choir ensemble composed in a strict mixolydian scale. Part IV is romantic, while not traditional 19th century in nature, still rather clearly modern classical music with it's use of new ideas as regards harmony.

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Good and Evil

Lars L. Lien

'Good and Evil' is classical music and the 4 movements are all written for the chamber orchestra.

This work is politically motivated, and, Lien admits to it, marked by a certain artifice. Movements 1 and 2 are what Lien would refer to as 'modernist,' the 2nd movement, however, somewhat more on the early, or 'neoclassical' side. 'Sacred Circle' is inspired by traditional church music; it is also a romantic piece. The 4th movement, 'Ascent,' must be considered impressionist and the finest piece, in some respects, of the work as such.

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